12 Years of Creating Change Through Art
What began with four artists in Boston has grown into a community of more than 200 artists across North America. With the support of over 500 clients, we’ve generated tens of millions in art sales, with artists earning the majority of profits.

For our artists, sales are more than transactions. They are:
- Pathways to financial stability
- Gateways to new professional opportunities
- Recognition where disabled artists' access has been limited
At ArtLifting, we are doing more than curating art — we are building a more inclusive economy. Every partnership creates financial resilience and combats stereotypes, proving that when creativity and opportunity meet, everyone thrives.
As we celebrate 12 years, we invite you to be part of what’s next. Join us in creating more opportunities for artists in 2026!
"It's been a great feeling to have my work managed by a professional team and purchased or licensed through other professional art teams. As far as money goes, I would not be eating, and would be 100% destitute without it. I love seeing my art in different places and many of my friends have called me and said this is all my art."
- Eve Hennessa, ArtLifting Artist
Images: 1: Yanni Tsipsis (left), Rudolph Jean-Louis (center), and Liz Powers (right) smile and pose in front of Rudolph’s commissioned artwork at WS Development in Boston, Massachusetts. Photography by Eric Levin. 2: ArtLifting artists around Intuit’s MTV22 Building during a tour of the space with Liz Powers and ArtLifting artists, Charles Blackwell, Mia Brown, and Michaels Lyric. Photos by Monica Semergiu. 3: Liz Powers at Harvard Innovation Labs in 2024. Photography by Annalee Durland-Jones of Above Summit. 4: Allen Chamberland and Liz Powers smiling in front of Emerald Tree at Hines South Station Tower in Boston, Massachusetts. Photography by Andy Ryan Photography, Inc. 5: Aimee Hofmann (center front) poses with members of the ArtLifting team and fellow artists on the sidewalk in front of a building on Madison Avenue. Behind them, Hofmann’s large-scale wallcovering is visible through the second-story glass façade.

What began with four artists in Boston has grown into a community of more than 200 artists across North America. With the support of over 500 clients, we’ve generated tens of millions in art sales, with artists earning the majority of profits.

For our artists, sales are more than transactions. They are:
- Pathways to financial stability
- Gateways to new professional opportunities
- Recognition where disabled artists' access has been limited
At ArtLifting, we are doing more than curating art — we are building a more inclusive economy. Every partnership creates financial resilience and combats stereotypes, proving that when creativity and opportunity meet, everyone thrives.
As we celebrate 12 years, we invite you to be part of what’s next. Join us in creating more opportunities for artists in 2026!
"It's been a great feeling to have my work managed by a professional team and purchased or licensed through other professional art teams. As far as money goes, I would not be eating, and would be 100% destitute without it. I love seeing my art in different places and many of my friends have called me and said this is all my art."
- Eve Hennessa, ArtLifting Artist
Images: 1: Yanni Tsipsis (left), Rudolph Jean-Louis (center), and Liz Powers (right) smile and pose in front of Rudolph’s commissioned artwork at WS Development in Boston, Massachusetts. Photography by Eric Levin. 2: ArtLifting artists around Intuit’s MTV22 Building during a tour of the space with Liz Powers and ArtLifting artists, Charles Blackwell, Mia Brown, and Michaels Lyric. Photos by Monica Semergiu. 3: Liz Powers at Harvard Innovation Labs in 2024. Photography by Annalee Durland-Jones of Above Summit. 4: Allen Chamberland and Liz Powers smiling in front of Emerald Tree at Hines South Station Tower in Boston, Massachusetts. Photography by Andy Ryan Photography, Inc. 5: Aimee Hofmann (center front) poses with members of the ArtLifting team and fellow artists on the sidewalk in front of a building on Madison Avenue. Behind them, Hofmann’s large-scale wallcovering is visible through the second-story glass façade.